So we had some excrement get in touch with a fan again last sunday. Yours truly hungover pretty bad from an awesome Tool-cover gig I saw on saturday, and the Indigo-people of choice Peb and T in mint condition. The agenda was guitars and vocals for Retreat and ElPez, with Samu recording, Sami occasionally supervising and then me grapping the wheel as S&S had to go celebrate fathers day.
The guitars we did couple of weeks ago were good, in terms of what Peb had rammed in. Tero's parts were done in a hurry, so those needed a little check-up. And they were actually done over all of them. Peb patched in his parts pretty easily, and then Tero took his turn. All though, I might not have been in the best possible shape, i still made a personal note that everything flowed a lot better with just two guys there. With all four of them fuzzing around there's a whole lot of nonsense flying in the air. This time everyone was more focused and everything was just easier all together. Tero did the Retreat parts easily and even picked up an acoustic after a pretty definitive conversation with Samu:
- What kind of a sound are we lookin' for?
- Something kind of on the acoustic side.
- Well, nothing sounds more acoustic then an acoustic guitar...
Samu had to leave a little after three, so we were left on our own after that. We got most of the guitars done by then though. A huge solo by Peb was but in at the last minute before Samu left though. After hearing this one, you surely can't say there isn't fast-as-f*ck fingerworks on the album, altough it might be in a highly sarcastic manner. And P did it twice. On top and intervined with each other. It sounds messed up. And damn brilliant. We must have listened to it afterwards like twenty times or something... It's genious, and you won't even know what hit you. It's like trainwreck, but in a positive manner. I can't explain it. Or emphasize it enough. You propably got my drift by now though.
So after Samu was gone, we went to the vocals. Retreat was a run through. The guys have played it for years, so no suprises there. Both of them, T & P sing the whole song through, and we did some minor operations on Tero's vocal harmonies, to make them even more interesting. ElPez was a bit harder, as it needed some drastic changes in the feelings interpreted, but it didn't take P that long still. Going on from a full throttle grunt to an easier mellow mood in a second or so isn't as simple as it might sound.
Last but least, there were some forgotten clean guitar parts by Tero, so we tackled those with a Schecter hollow body, altough the guys did have slight problems with the heavy string set. The Schecter just has a more warm and full sound to it than Tero's PRS. The PRS is more... ...lirputtelua... don't know the word in english. There probably isn't one actually. Perttu even brought his own axe with him for the first time to tackle the forementioned solo, because he needed the flexibility for the strings. Anyhow, the last guitar parts for Tero proved out to be a little troubled, as the solo was a damn hard one. An idea of layering it with two a bit different sounds was thrown on the table by Peb, and it actually sounded really nice, with the long notes still going under each other. At this point the clock was tickin' around 7 p.m. so everyone was getting tired and the last part of the solo was just too much. We got it almost clean, with just one miss on the very first note, but then phychic meltdown was inevitable and we just decided to call it a night after 9 hours of work.
With only a few sips left of their whiskeys, we hit the road with the one guy that was hungover in the morning now being the only one able to drive. Got the first grub of the day at around 8.30p.m and then hit home at 11p.m with Tero still working on some investment-money-whateverhedoes thingmabo in the car and after a bottle of Speyburn. A full days work, I can tell you that much.
Tuesday, November 11, 2008
Tuesday, October 28, 2008
Second set of songs
So we got at it again last weekend. The big break was due to the three song recorded last time being mixed ready for promotional/distributional use. I already waved them around at Popkomm a little bit, so hopefully someone will catch the wave that's going to hit their shores in 2009.
We got up an going 6.30 in the morning on saturday. A time that's not very helpfull for the success of the weekend... Arriving at 9.30, with a car full of tired rock-personel, we got Aki to work. Drum recordings started after the set was up at around eleven. Sami had bought a third tom tom to finish off the Kumu set, so we didn't need the extra hassle we had already done in Turku with the additional tom's, due to yours truly not checking on the needed number of tom's...
Anyhow, Aki was up and running, and as he got behind the set, things seemed to move as smoothly as ever. The man can play, no doubt about that. Retreat had gone through some changes, with some rhythm tricks added and some leads cut. The number sounded great and was done in an instant. The second song of the weekend was ElPez that proved out to be a harder one to get through. Most of the stuff was hammered through as we visited a local liquer store, to get some Zwack, but also some problems had emerged, as A seemed to get stuck on one of the drum parts. He was playing it ok most of the time, but it seemed to slip just a little out of hand. After a while, the decision to play it in as a seperate part, while the click just runs to his ear, was made, and the man nailed it in a couple of takes.
With the drums done, we moved on to the bass parts. ElPez to start with, proved to be a big one to get right. We started at 3 p.m. when Samu, our man behind the desk left and left me in charge, and then finished at 6 p.m. after three hours of struggling, with still some stuff to re-do on Sunday. A lot of hard parts to play, and a lot of wasted time do to my technical incapabilities and maybe some lack of recording experience. Recording and playing to a click is something I know from past, concerning myself, that needs to be really practised at home. When you've got to play in an excact tempo with no flaws, practising at the training place with the whole band just isn't enough, as most of the errors are muffled by the rest of the band. A metronome at home by yourself is a brutal way to hear how everything sounds, and I'd encourage playing like that to everyone who's ever going to be in a recording band...
Saturday was a wrap, and we enjoyed the normal brews and a new drink called Banana Zwack. Something Peb invented and titled the album instantly with naturally. Only the Zwack-engraving is missing from the banana-cup at this point, as it was added in the later hours of the evening.
Sunday morning Samu came up at around nine, and more bass was due. We did some demo-vocals in a hurry, just to get the song structures right and then bashed on with Retreat. Peb tacked along with the guitar, but I'm still not sure if that was the right way to go. Maybe a better demo guitar was in order, as the old ones that we used with the drums we're kind of a mess, due to an experiment with a fuzz-pedal.
Altough the original idea was to get some real guitarwork done so we wouldn't have to use time in it later one, but as we later concentrated only on P's guitars they went in much more fluently, when there was just him playing, and almost nothing of the guitars played simultaniously with C were used. Might have been something to do with him getting the fingers strecthed out too though. Retreat went in pretty smooth, altough again when anything needs to be changed in the compositional part Chuck isn't at his best. The man's got his mind set on a pattern to play, and introducing new stuff doesn't always sink in easy, atleast with three other guys blabbering away on the couch. Note to myself: Bring the guys in in pairs from now on.
Samu checked out at noon, and we still did some guitars after that. P is an exceptional player even hung over, as it really doesn't take him that many takes to get something right. Altough this time we might have to do some of the stuff over, because stuff might have slipped by too easy. I kind of trusted the guys, when they said it was okay, and I think they might just have though the same about me, that I silently approved if I didn't ask for another take. We'll check the stuff out next time and do over what was left half-assed.
Tero rammed in some guitar work in a really busy schedual, and there might not have been much usefull there for the future. But as all his work was done in under an hour, so not much was expected, with all of our ears already a mash and a little bit of a fire under my tail to get to Turku for my radio spectacle.
The next date is set in two weeks, so hopefully will get to plug the leaks, patch in the rest of the guitars and then do the vocals and maybe even some extra curriculars too, with two new songs done in the end. An exhausting weekend, but hopefully the bases were laid down proper, so the concentration can move on to the gtr and voc stuff from here.
We got up an going 6.30 in the morning on saturday. A time that's not very helpfull for the success of the weekend... Arriving at 9.30, with a car full of tired rock-personel, we got Aki to work. Drum recordings started after the set was up at around eleven. Sami had bought a third tom tom to finish off the Kumu set, so we didn't need the extra hassle we had already done in Turku with the additional tom's, due to yours truly not checking on the needed number of tom's...
Anyhow, Aki was up and running, and as he got behind the set, things seemed to move as smoothly as ever. The man can play, no doubt about that. Retreat had gone through some changes, with some rhythm tricks added and some leads cut. The number sounded great and was done in an instant. The second song of the weekend was ElPez that proved out to be a harder one to get through. Most of the stuff was hammered through as we visited a local liquer store, to get some Zwack, but also some problems had emerged, as A seemed to get stuck on one of the drum parts. He was playing it ok most of the time, but it seemed to slip just a little out of hand. After a while, the decision to play it in as a seperate part, while the click just runs to his ear, was made, and the man nailed it in a couple of takes.With the drums done, we moved on to the bass parts. ElPez to start with, proved to be a big one to get right. We started at 3 p.m. when Samu, our man behind the desk left and left me in charge, and then finished at 6 p.m. after three hours of struggling, with still some stuff to re-do on Sunday. A lot of hard parts to play, and a lot of wasted time do to my technical incapabilities and maybe some lack of recording experience. Recording and playing to a click is something I know from past, concerning myself, that needs to be really practised at home. When you've got to play in an excact tempo with no flaws, practising at the training place with the whole band just isn't enough, as most of the errors are muffled by the rest of the band. A metronome at home by yourself is a brutal way to hear how everything sounds, and I'd encourage playing like that to everyone who's ever going to be in a recording band...
Saturday was a wrap, and we enjoyed the normal brews and a new drink called Banana Zwack. Something Peb invented and titled the album instantly with naturally. Only the Zwack-engraving is missing from the banana-cup at this point, as it was added in the later hours of the evening.Sunday morning Samu came up at around nine, and more bass was due. We did some demo-vocals in a hurry, just to get the song structures right and then bashed on with Retreat. Peb tacked along with the guitar, but I'm still not sure if that was the right way to go. Maybe a better demo guitar was in order, as the old ones that we used with the drums we're kind of a mess, due to an experiment with a fuzz-pedal.
Altough the original idea was to get some real guitarwork done so we wouldn't have to use time in it later one, but as we later concentrated only on P's guitars they went in much more fluently, when there was just him playing, and almost nothing of the guitars played simultaniously with C were used. Might have been something to do with him getting the fingers strecthed out too though. Retreat went in pretty smooth, altough again when anything needs to be changed in the compositional part Chuck isn't at his best. The man's got his mind set on a pattern to play, and introducing new stuff doesn't always sink in easy, atleast with three other guys blabbering away on the couch. Note to myself: Bring the guys in in pairs from now on.Samu checked out at noon, and we still did some guitars after that. P is an exceptional player even hung over, as it really doesn't take him that many takes to get something right. Altough this time we might have to do some of the stuff over, because stuff might have slipped by too easy. I kind of trusted the guys, when they said it was okay, and I think they might just have though the same about me, that I silently approved if I didn't ask for another take. We'll check the stuff out next time and do over what was left half-assed.
Tero rammed in some guitar work in a really busy schedual, and there might not have been much usefull there for the future. But as all his work was done in under an hour, so not much was expected, with all of our ears already a mash and a little bit of a fire under my tail to get to Turku for my radio spectacle.
The next date is set in two weeks, so hopefully will get to plug the leaks, patch in the rest of the guitars and then do the vocals and maybe even some extra curriculars too, with two new songs done in the end. An exhausting weekend, but hopefully the bases were laid down proper, so the concentration can move on to the gtr and voc stuff from here.
Tuesday, July 22, 2008
Getting there slowly
So finally we had the second session for the album on last Saturday. This time we did vocals and rest of the guitars for the three songs we started last time. The tunes are Terra Fungus, Kutteri and Rats and Hatchets (or Hats and Ratchets, I never remember which way it is with the song). We started a little after twelve and got done at around six, so everything was done fairly fast.
First of we handled the rest of Tero's guitars. Those got done real fast, even before Peb got to the studio. Nothing really to discuss about them, same sounds and guitars were used as last time. There's a part in Kutteri where Tero wanted the attack of the guitar sound eliminated with a volume trick. Last time we were at the studio, T tried a volume pedal, then this time a take with just the guitar volume knob was done, and then we talked about making it work artificially with a computer. After a minute we decided on the guitars volume knob-take. It's got a natural touch to it, and that's something all of us wanted to keep, so although the transition might not be as smooth, it still sounded the best in that aspect.
When Perttu arrived, he jumped right on the hot seat and first of we tackled a piece of Kutteri that has a guitar melody that's matched with a vocal melody. We left it out on purpose last time, as P still wanted to fine tune the thing. This time he first hammered in the guitars and then started with the vocal performance. And absolutely nothing to add to the new melody and vocals. The whole thing now ends on a big note that everyone will surely remember, no way to explain it, but you'll know it when you hear it. P went all out on it, and it works like f*ck.
The vocals went in smoothly altogether. Little bit of tuning on pronunciation, as Perttu has a habit of mumbling stuff a bit on purpose to make the melodias more fluid. I just intervined with some stuff that wasn't making any sense anymore, but it was just something like a couple of lines here and there. About singing in tune, well, the man knows best himself. A few takes were just trashed straight away when P wasn't satisfied with'em. And I mean he still sings a helluva lot better than most while having a bad take. I though he might need some time to get his voice open, but Sami put it the best: "I don't hear the difference with the first take and the last, he sounds damn great all the time.".
The most inspirated thing all day came between some singing takes, as Sami was smoking a cigarette and Tero started jamming on an acoustic. Peb grapped a lapsteel and as Tero played an acoustic part of Kutteri, Perttu just started to improvise over it. Sami came back, we plugged the lapsteel in and Perttu nailed the little theme part with a couple of takes. "There we go, first time ever I played that instrument" was his comment afterwards. Straight on to the album - not bad.
After Peb was done with his vocals, Tero did his two vocal parts in a flash. It took a couple of takes to get his voice and mouth properly open and everything was smooth sailing from there on. The final guitar for the vocal/guitar-melody part of Kutteri was added by T, now that he finally knew what Perttu was playing. Last but not least Perttu rammed in some baritone guitar to get the songs really going. As Kutteri is probably ending up as the starting track, we really spiced the beginning, so that when the track starts you'll damn sure know that here we go.
We talked about some acoustic stuff that needed to be played, but no acoustics were in the right tuning. I actually kind of missed what happened next, but I got the image that the guys just kind of decided that Sami could play them in. It's just a few chords to be strummed in the background every here and there to add character, but still, it seems to me there might be something remotely resembling trust forming here...
On the ride home, me and P went over some cover ideas. It got a little out of hand naturally, but submarines, cities taken away by the floods and the magnetic senses of the hammerhead sharks were gone through. To quote a song everyone should know: "Learn to swim."
First of we handled the rest of Tero's guitars. Those got done real fast, even before Peb got to the studio. Nothing really to discuss about them, same sounds and guitars were used as last time. There's a part in Kutteri where Tero wanted the attack of the guitar sound eliminated with a volume trick. Last time we were at the studio, T tried a volume pedal, then this time a take with just the guitar volume knob was done, and then we talked about making it work artificially with a computer. After a minute we decided on the guitars volume knob-take. It's got a natural touch to it, and that's something all of us wanted to keep, so although the transition might not be as smooth, it still sounded the best in that aspect.When Perttu arrived, he jumped right on the hot seat and first of we tackled a piece of Kutteri that has a guitar melody that's matched with a vocal melody. We left it out on purpose last time, as P still wanted to fine tune the thing. This time he first hammered in the guitars and then started with the vocal performance. And absolutely nothing to add to the new melody and vocals. The whole thing now ends on a big note that everyone will surely remember, no way to explain it, but you'll know it when you hear it. P went all out on it, and it works like f*ck.
The vocals went in smoothly altogether. Little bit of tuning on pronunciation, as Perttu has a habit of mumbling stuff a bit on purpose to make the melodias more fluid. I just intervined with some stuff that wasn't making any sense anymore, but it was just something like a couple of lines here and there. About singing in tune, well, the man knows best himself. A few takes were just trashed straight away when P wasn't satisfied with'em. And I mean he still sings a helluva lot better than most while having a bad take. I though he might need some time to get his voice open, but Sami put it the best: "I don't hear the difference with the first take and the last, he sounds damn great all the time.".
The most inspirated thing all day came between some singing takes, as Sami was smoking a cigarette and Tero started jamming on an acoustic. Peb grapped a lapsteel and as Tero played an acoustic part of Kutteri, Perttu just started to improvise over it. Sami came back, we plugged the lapsteel in and Perttu nailed the little theme part with a couple of takes. "There we go, first time ever I played that instrument" was his comment afterwards. Straight on to the album - not bad.After Peb was done with his vocals, Tero did his two vocal parts in a flash. It took a couple of takes to get his voice and mouth properly open and everything was smooth sailing from there on. The final guitar for the vocal/guitar-melody part of Kutteri was added by T, now that he finally knew what Perttu was playing. Last but not least Perttu rammed in some baritone guitar to get the songs really going. As Kutteri is probably ending up as the starting track, we really spiced the beginning, so that when the track starts you'll damn sure know that here we go.
We talked about some acoustic stuff that needed to be played, but no acoustics were in the right tuning. I actually kind of missed what happened next, but I got the image that the guys just kind of decided that Sami could play them in. It's just a few chords to be strummed in the background every here and there to add character, but still, it seems to me there might be something remotely resembling trust forming here...
On the ride home, me and P went over some cover ideas. It got a little out of hand naturally, but submarines, cities taken away by the floods and the magnetic senses of the hammerhead sharks were gone through. To quote a song everyone should know: "Learn to swim."
Tuesday, June 17, 2008
First recordings done a while ago.
Damn, the days just seem to roll by when it's summer time. So we actually had the first recordings already a week or so ago. We took two days with the crew saturday and sunday (7.-8.6) and laid down drums, basses and most of the guitars for three tracks. Those tunes were Kutteri, Terra Fungus and Hats and Ratchets.For once we got to start in time, as the guys arrived at Vantaa on 10.30 Saturday morning. One missed turn took the extra 30 minutes but no harm there. Toni, Perttu and Aki had taken the day to lay down the basis. Toni and Aki were the ones officially playing and Perttu was there just to strum along so the guys have an easier time to remember where they are in the song.
We were recording actually at Sami's home field, Perfect Sound, which proved to be an optimal place atleast if you ask me. The
drum set, a Kumu, sounded awesome and everything was set up so that things seemed to flow better than I've ever seen recordings go. Aki first set up the drums for an hour and then he banged the song to the computer within three hours or so. No major promblems or not much to point out there. The man knows his job! Some rhythm changes seemed to be a little difficult but that was all.Chuck handled the bass parts with almost the same precision. Which was actually a little suprise, as I heard he had had a hard time during the pre-productions last year. The silly sod had practised I'm guessing. The only hard times we had w
ere when the songs needed changes or when we had to tone donw the playing to fewer notes. The man really seems to have a hard time pluggin' just a couple of notes here and there, but after a while we actually got to record the fewest notes ever in an Indigoflood-song in the middle part of Kutteri, and Perttu actually added to the equation the next day with just some chords strummed. Are we loosing prog here or gaining dynamics? What the hell, atleast it sounded awesome!Before 07.00 p.m. we got done for the day and Aki headed home as he wasn't needed on sunday anymore. Me, Peb and C enjoyed a few brews and some pörpön as P calls it (cheapest possible bourbon, that is), and watched a T. Waits DVD.
Sunday started at 10.00. Tero was supposed to be there at 10, but he was a little late, so we started with Perttu's guitarparts. No problem there. Not much to say there. The man's a fuckin' metronome with the rhythm parts even in a massive hangover. Kudos to the bastard, that's what practise seems to do to a man. The official sound politics are still a bit open, as we just recorded the line signal and used computer generated amps to see what would sound best - small studio, limited resources = every trick is allowed if you ask me. Some Mesa Rectifier, Marshall JCM and Vox were atleast tried out, Sami has the specifics as he was the one turning the knobs. And the guitar changed from a Heritage Les Paul on the rough parts to a Schecter semi hollow body on the cleaner stuff.
I have to say that I though there would be some more messing around with the guitar sounds, but Mr. Sarhamaa had the whole shabang figured out. He's been working that studio for so long that he seems to know what fits where and when, so I decided to just bug out when everything was going smooth.
Tero tagged along actually before 11.00 in the morning too, so as soon as Peb was done, we got to Tero's guitars. He had a bit of a hard time getting in the mood after the long drive, but after a beer or two the man got in the zone. And as everything in the songs was pretty much decided beforehand, we basically just watched the music flow out of him. His own PRS-guitar was the main instrument and for the hard hitting stuff we relayed again on the Heritage Les Paul. Tero is definitely a more feeling based player than Perttu, so we needed a few more takes and he has also had the "pleasure" of cutting down solos, so some stuff needed to be settled on those matters, but altogether everything went down smooth once again.
I don't have the ears for for the perfect tempo or pitch yet, so it had been on Sami's shoulders for two days at this point and as he had a long week behind him, his role as a tempo-nazi had already loosened so much that we deicided to call it a day just before Tero finished all his guitar stuff. So around 7.00 p.m., after picking up the gear, the guys headed home.
Next thing up is going to be more on my side of the fence, as the session is going to include rest of the guitars including the extra touches to the guitar stuff, such as effects, maybe baritons and such, then we're gonna have a brainstorm on the possible extra instruments to be added and then finally do the vocals. Hopefully we get it done in a day with just Perttu and Tero needed, so beginning of next month we're hitting Perfect Sound again, to get a couple tracks completely done, so I can start looking for business partners for the future.
P.S. There were pics taken too, so as soon as Aki send them to me, I'll add them here too.
Tuesday, May 13, 2008
Deal done.
So now the papers are inked. We have names signed and a deal sealed. Well actually Chuck still hasn't put his name under, but I don't think that's going to be a problem. First info to the world will be sent this week, so I'm expecting an increase in the readers of this blog. Dunno if anything's gonna happen, but I'm hoping atleast...
Let's see, where did we leave off last time. We had one final rehearsal with the guys before Tero left for his honeymoon. The guys played through Kutteri, did a few version, pondered about the ideas Sami had thrown at them and came to a conclusion. The cuts in the middle of the song were very much justified. The intro was maybe cut a little short, but just a tiny bit and same with the outro, they're now shorter then before but maybe not as short as Sami would have hoped for. We'll try them out when we get to that.
Two more songs were also discussed. Terra Fungus had almost no big moves made on it, and the song Hats and Ratchets had nothing done to it structure-wise, so those are the three we're going to start with. As Tero is out of the country for three weeks, we hope to get a session in even before he returns, so we could have the basic drums, bass and guitars done for those tracks. It's not looking too good though, considering everyones busy as hell.
On another note, there was a small guess on the album name on the headline here, but I kind of erased it as it seems to have changed. Currently we're working under the title Communicating with Submarines, but nothing is final yet. (I like Commenting on Submarines more though, hah!)
Let's see, where did we leave off last time. We had one final rehearsal with the guys before Tero left for his honeymoon. The guys played through Kutteri, did a few version, pondered about the ideas Sami had thrown at them and came to a conclusion. The cuts in the middle of the song were very much justified. The intro was maybe cut a little short, but just a tiny bit and same with the outro, they're now shorter then before but maybe not as short as Sami would have hoped for. We'll try them out when we get to that.
Two more songs were also discussed. Terra Fungus had almost no big moves made on it, and the song Hats and Ratchets had nothing done to it structure-wise, so those are the three we're going to start with. As Tero is out of the country for three weeks, we hope to get a session in even before he returns, so we could have the basic drums, bass and guitars done for those tracks. It's not looking too good though, considering everyones busy as hell.
On another note, there was a small guess on the album name on the headline here, but I kind of erased it as it seems to have changed. Currently we're working under the title Communicating with Submarines, but nothing is final yet. (I like Commenting on Submarines more though, hah!)
Wednesday, May 7, 2008
Moving on to the recordings
So the worst is behind us. The boys heard the songs after Sami went wild on them. A no-holds-barred situation between Sarhamaa and the tunes had taken some of them a little far from the original idea, and not everything was agreed upon, but still no fist fights broke out and I think we will slowly but firmly achieve common ground.
The one with the most issues is probably going to be one of the oldest tunes, called Retreat, there was some major clipping done to it, and the guys felt it lacked the easygoing feeling it had before. The song just rolled over you, which is nice in some cases, but this time it might not be the right option to suit the song (Fuck, just lost my radiohit, hah!). As Retreat seems to be the one with the most opinions from everyone, we'll just leave it to simmer for now. Hopefully when we return to it during the summer, there's a compromise everyone can be satisfied with.
On the other hand a new tune called Kutteri was clipped from approx. 7:15 minutes to 5:20, and the bastard's working like never before! I've completely fallen in love with the song. If you ask me it's got a Jimi Hendrix vibe to it, that I dig wholeheartedly. And every cut was justified and almost immidiately approved, as the song now pushes forward like a train!
The only thing that we discussed after Sami had left the premises, was that the intro was cut a bit short. If the song is in the middle of the album , the intro needs to be short if you ask me, as we don't want the listener to leave for the fridge during it. BUT the other thought was, that the track might be the starter for the whole album, as it truly is one of the stronger tunes, and as a starter we might even want to drag the intro a little bit. No ones going to leave during the first 20-30 second of an album anyhow, so what the fuck, I don't see a problem with the band messing around a bit on the beginning of the album, just to get the listener ready for anything, because I already know that this is going to be an album where anything can and propably will happen.
So hopefully we're recording this one first, so I can get me some material to start promotion with. I've naturally got big plans on which way to take this whole shenanigans. Contacting possible foreign partners is something I will want and need to do asap. I/we hope to get two or three songs ready already in June/July so I can start working foreigners over. And we might even try our luck with some radio stations, altough the expectations aren't too high concerning those.
I think that's about it for now. And that was just two songs... We went through all of the ten, but no one propably wants to hear me blabber details about every one of them. Next up is signing the official deal. Mr. Kairinen is a business genious of somesort, so he's been laughing at our gentlemen's agreement that has propably got a bunch of holes in it. It seems though that the holes are in the bands advantage, as Tero has been agreeing to sign also. (We've finally got the sucker bowing to the man, a.k.a me!)
So we'll see when we can arrange the first recording session and inform the world about the official stuff, as we sail forward in this sea of cheese. Later.
The one with the most issues is probably going to be one of the oldest tunes, called Retreat, there was some major clipping done to it, and the guys felt it lacked the easygoing feeling it had before. The song just rolled over you, which is nice in some cases, but this time it might not be the right option to suit the song (Fuck, just lost my radiohit, hah!). As Retreat seems to be the one with the most opinions from everyone, we'll just leave it to simmer for now. Hopefully when we return to it during the summer, there's a compromise everyone can be satisfied with.
On the other hand a new tune called Kutteri was clipped from approx. 7:15 minutes to 5:20, and the bastard's working like never before! I've completely fallen in love with the song. If you ask me it's got a Jimi Hendrix vibe to it, that I dig wholeheartedly. And every cut was justified and almost immidiately approved, as the song now pushes forward like a train!
The only thing that we discussed after Sami had left the premises, was that the intro was cut a bit short. If the song is in the middle of the album , the intro needs to be short if you ask me, as we don't want the listener to leave for the fridge during it. BUT the other thought was, that the track might be the starter for the whole album, as it truly is one of the stronger tunes, and as a starter we might even want to drag the intro a little bit. No ones going to leave during the first 20-30 second of an album anyhow, so what the fuck, I don't see a problem with the band messing around a bit on the beginning of the album, just to get the listener ready for anything, because I already know that this is going to be an album where anything can and propably will happen.
So hopefully we're recording this one first, so I can get me some material to start promotion with. I've naturally got big plans on which way to take this whole shenanigans. Contacting possible foreign partners is something I will want and need to do asap. I/we hope to get two or three songs ready already in June/July so I can start working foreigners over. And we might even try our luck with some radio stations, altough the expectations aren't too high concerning those.
I think that's about it for now. And that was just two songs... We went through all of the ten, but no one propably wants to hear me blabber details about every one of them. Next up is signing the official deal. Mr. Kairinen is a business genious of somesort, so he's been laughing at our gentlemen's agreement that has propably got a bunch of holes in it. It seems though that the holes are in the bands advantage, as Tero has been agreeing to sign also. (We've finally got the sucker bowing to the man, a.k.a me!)
So we'll see when we can arrange the first recording session and inform the world about the official stuff, as we sail forward in this sea of cheese. Later.
Monday, May 5, 2008
Before the last meet
Ok, so tomorow is the day. The pre prod is done to a certain degree and if you ask me it's sounding fuckin' great. I'm still a bit hesitant about tomorow though. Well actually more like scared shitless, to tell you the truth, heh hee. Sami has done some radical shit, but with excelent taste in my opinion. I just hope the guys have an open mind and like what's been done. And what the hell, we can always go backwards, so I'm not loosing sleep over this.
I do know though that some of them have had some disastrous pre-production session in the past, so there's propably going to be some tension in the air, but I think the modifications will speak for themselves. And if they don't, I know Sami well enough, that I can guarantee he's got some heavy justifications for everything he's done. So hopefully we can chat through the songs and get on the same level about everything through compromises and some re-arranging maybe.
Actually there were some parts clipped off that even I might end up fighting for. I've been listening to some of these tunes for half a decade already, so cutting off pieces feels even to me like taking limbs off a baby, so I can't even imagine how it has to be for the guys in the band. And I mean, I don't mind loosing a few fingers and toes here and there, if it makes the bigger picture solid, but everyone needs two arms, two legs and some genitalia.
And I have to add, as I said before, Sami is truely the man for the job, he's got excellent ideas, a seemsless vision of the whole package and he even seems to be enjoying every minute he spends working on this stuff. There's going to be some seriously twisted shit in a really good way of course. We hope to add stuff like accordeon, harmonica, hammond, tamburine, maybe even some moog-type stuff, I'm talking all the works to make everything top notch. And Sami seems to have adopted everyone of these tunes already, as he has effortlessly made solid organ tracks, acoustic guitars and even little ideas for possible vibes of the lead parts here and there. So hats off to the man.
I actually just realized, I'm not only scared shitless, I'm also eagerly awaiting for tomorow! I have a good vibe about the whole project, there might be something great in the making here. I'll give you the new bearings after the session, so we'll see how this goes.
I do know though that some of them have had some disastrous pre-production session in the past, so there's propably going to be some tension in the air, but I think the modifications will speak for themselves. And if they don't, I know Sami well enough, that I can guarantee he's got some heavy justifications for everything he's done. So hopefully we can chat through the songs and get on the same level about everything through compromises and some re-arranging maybe.
Actually there were some parts clipped off that even I might end up fighting for. I've been listening to some of these tunes for half a decade already, so cutting off pieces feels even to me like taking limbs off a baby, so I can't even imagine how it has to be for the guys in the band. And I mean, I don't mind loosing a few fingers and toes here and there, if it makes the bigger picture solid, but everyone needs two arms, two legs and some genitalia.
And I have to add, as I said before, Sami is truely the man for the job, he's got excellent ideas, a seemsless vision of the whole package and he even seems to be enjoying every minute he spends working on this stuff. There's going to be some seriously twisted shit in a really good way of course. We hope to add stuff like accordeon, harmonica, hammond, tamburine, maybe even some moog-type stuff, I'm talking all the works to make everything top notch. And Sami seems to have adopted everyone of these tunes already, as he has effortlessly made solid organ tracks, acoustic guitars and even little ideas for possible vibes of the lead parts here and there. So hats off to the man.
I actually just realized, I'm not only scared shitless, I'm also eagerly awaiting for tomorow! I have a good vibe about the whole project, there might be something great in the making here. I'll give you the new bearings after the session, so we'll see how this goes.
Wednesday, April 23, 2008
The Cast
I decided that maybe I should introduce y'all to our cast on this curious spectacle we're taking part in.
Or as sometimes known as:
Perttu, Toni, Tero and Aki.
And then the production team of two. The mystische Samsara (Well, he's not actually that mystic when you meet him. The name is Sami Sarhamaa and he does have those silent "looking to the future and visualizing" -moments, but I still wouldn't go as far as calling it expecially mysterious, he just pauses to think, I'm guessing.) and then Your's truly, me (name in the passport says Jani Rämö, and people even tend to use that one, except for maybe M. Kervinen and the Hateform -suckers who just call me darling.).
So that's what we have to go on with. 6 smucks how might or might not make this farce a spectacle or the other way around. I have strong faith in the project, Sami has the needed professional touch, and the band has the songs that can make the difference and the will to leap into the unknown - or so I'm hoping. I'll inform you when the needed paperwork is done and we know for sure they're ready for the fall. And after all, it's only rock'n'roll.
The orchestra we have the pleasure to work with, from left to right:
Peb (vocs, guitar), Chuck (bass), Tro (guitar, vocs) and Aqui (drums).
Peb (vocs, guitar), Chuck (bass), Tro (guitar, vocs) and Aqui (drums).
Or as sometimes known as:
Perttu, Toni, Tero and Aki.
And then the production team of two. The mystische Samsara (Well, he's not actually that mystic when you meet him. The name is Sami Sarhamaa and he does have those silent "looking to the future and visualizing" -moments, but I still wouldn't go as far as calling it expecially mysterious, he just pauses to think, I'm guessing.) and then Your's truly, me (name in the passport says Jani Rämö, and people even tend to use that one, except for maybe M. Kervinen and the Hateform -suckers who just call me darling.).
So that's what we have to go on with. 6 smucks how might or might not make this farce a spectacle or the other way around. I have strong faith in the project, Sami has the needed professional touch, and the band has the songs that can make the difference and the will to leap into the unknown - or so I'm hoping. I'll inform you when the needed paperwork is done and we know for sure they're ready for the fall. And after all, it's only rock'n'roll.
Monday, April 14, 2008
Pre-productions on stage III
We engaged warp3 from Turku at around 9'o'clock in the morning of Saturday the 12th. Starting of cool and easy, the trip got the normal salty undertone as we picked up Chuck on the last stop before hitting the highway. Politics and fisting we're discussed.
At Pink Noise, Tikkurila, Vantaa, Sami had already setup mics for the whole band as we arrived. Setting up drums and amps took a small while, but Indigoflood was on their way and playing by thirteen hundred hours.
The plan for the day was to record the final pre-production versions of the songs, with every instrument on their own track, so Sami could try out some tricks of the trade and we could do final adjustements for the fine tuning of the arrangements, throw out some ideas at the band and so on.
By around five p.m. the whole thing was a wrap and we had 10 songs recorded with ok sound and ok playing. It went down easy, as everyone seems to be a professional except for maybe yours truly. Future matters were gone through and the band headed home, as I stayed behind with Sami to have a meet and greet with M. Kervinen the third party of our collective production house called Perfect Sound. No further Indigomatters we're addressed, just overall business and a few beers that night.
Next morning Sami started with the mixing of the pre-prods done on Saturday. Basic sounds were picked as he worked his way through the one called Thisttle Pillow pt.2. I'm not much of help when it comes to mixing so I just listened. After the basics were there, we went through the song with a tighter comb and did a second version with some new ideas on the arrangement. We did a couple of experimentations that might or might not lead somewhere, but as even the band hasn't heard them yet, I won't go to details.
Sami promised to do the same to all of the tracks and we decided that on the 26th he'd come over to Turku and we'd go through the songs for the final time before we start the official recordings. I'll be telling you how that goes when we get there.
At Pink Noise, Tikkurila, Vantaa, Sami had already setup mics for the whole band as we arrived. Setting up drums and amps took a small while, but Indigoflood was on their way and playing by thirteen hundred hours.
The plan for the day was to record the final pre-production versions of the songs, with every instrument on their own track, so Sami could try out some tricks of the trade and we could do final adjustements for the fine tuning of the arrangements, throw out some ideas at the band and so on.
By around five p.m. the whole thing was a wrap and we had 10 songs recorded with ok sound and ok playing. It went down easy, as everyone seems to be a professional except for maybe yours truly. Future matters were gone through and the band headed home, as I stayed behind with Sami to have a meet and greet with M. Kervinen the third party of our collective production house called Perfect Sound. No further Indigomatters we're addressed, just overall business and a few beers that night.
Next morning Sami started with the mixing of the pre-prods done on Saturday. Basic sounds were picked as he worked his way through the one called Thisttle Pillow pt.2. I'm not much of help when it comes to mixing so I just listened. After the basics were there, we went through the song with a tighter comb and did a second version with some new ideas on the arrangement. We did a couple of experimentations that might or might not lead somewhere, but as even the band hasn't heard them yet, I won't go to details.
Sami promised to do the same to all of the tracks and we decided that on the 26th he'd come over to Turku and we'd go through the songs for the final time before we start the official recordings. I'll be telling you how that goes when we get there.
The beginning of the end
I don't even remember when the first drunken blabber about this album came out of our collective mouths. I've talked it through with Perttu (and Chuck) in such various conditions of mental handicapment, that I won't even try to remember all of them. Good times, no question about that though.
Almost certain the whole thing has been for over half a year now, if you ask me atleast (no official deal still inked, so we'll see if the band agrees). And the music's been there for the good part of a decade, so this is finally time to take everything of it, record it, mix, master, cover and finally wrap in a nice container called a CD.
For me the turning point was of course when 7:45 Records was officially founded at the end of 2007. I knew I wanted to get on with the Indigoflood debut, and just hoped that all the people around me, mostly the band and Sami Sarhamaa who'd be the man most likely to do the production would get along. As has been later proven, absolutely no problem there.
First of we started with a pre-production demo that was created just to present all the tunes the band had to offer. 19 of them to be exact. 13 songs were already on previous demos, and 6 more were recorded at the end of 2007. Then I hauled the band to Helsinki for a gig, so that Sami could get his first live listening experience of the band, and a first meeting with them. No problems there, except for maybe the horrible sounds at the gig joint, due to the lack of soundcheck among other things outside of our juristiction. But a solid gig and a good first meeting, all in all.
Later on, we picked approx. 10 songs to do further pre-prod. sessions on. Sami came over to Turku, did a setup of two mics at the bands second home in Pansio and we sat down as the boys played through the 10 songs we had talked about. We dicussed everyone of them further and Sami laid down some pointer which way to take the tunes. We though of productional solutions how to take the bands sound one step further from their basic live setting. Some chopping of solos and shortening of riffs was considered appropriate, as this far the guys had been playing just for their own amusement, which is of course justified and fun for the band, but might tune out the listener.
The songs to be recorded is still an open question dangling in the air. We've decided on maybe 6 certain and then 4 that might just get done, but propably only 2 of those will reach the album. It's all about what fits the big picture, so no rush there. Anyhow, with all that done we've reached the present times. One more pre-production session took place last weekend, but more on that on my next post.
Almost certain the whole thing has been for over half a year now, if you ask me atleast (no official deal still inked, so we'll see if the band agrees). And the music's been there for the good part of a decade, so this is finally time to take everything of it, record it, mix, master, cover and finally wrap in a nice container called a CD.
For me the turning point was of course when 7:45 Records was officially founded at the end of 2007. I knew I wanted to get on with the Indigoflood debut, and just hoped that all the people around me, mostly the band and Sami Sarhamaa who'd be the man most likely to do the production would get along. As has been later proven, absolutely no problem there.
First of we started with a pre-production demo that was created just to present all the tunes the band had to offer. 19 of them to be exact. 13 songs were already on previous demos, and 6 more were recorded at the end of 2007. Then I hauled the band to Helsinki for a gig, so that Sami could get his first live listening experience of the band, and a first meeting with them. No problems there, except for maybe the horrible sounds at the gig joint, due to the lack of soundcheck among other things outside of our juristiction. But a solid gig and a good first meeting, all in all.
Later on, we picked approx. 10 songs to do further pre-prod. sessions on. Sami came over to Turku, did a setup of two mics at the bands second home in Pansio and we sat down as the boys played through the 10 songs we had talked about. We dicussed everyone of them further and Sami laid down some pointer which way to take the tunes. We though of productional solutions how to take the bands sound one step further from their basic live setting. Some chopping of solos and shortening of riffs was considered appropriate, as this far the guys had been playing just for their own amusement, which is of course justified and fun for the band, but might tune out the listener.
The songs to be recorded is still an open question dangling in the air. We've decided on maybe 6 certain and then 4 that might just get done, but propably only 2 of those will reach the album. It's all about what fits the big picture, so no rush there. Anyhow, with all that done we've reached the present times. One more pre-production session took place last weekend, but more on that on my next post.
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